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1346 lines
55 KiB
1346 lines
55 KiB
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/*********************************************************************************************
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*
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* MIDITONES: Convert a MIDI file into a simple bytestream of notes
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*
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*
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* MIDITONES converts a MIDI music file into a much simplified stream of commands, so that
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* the music can easily be played on a small microcontroller-based synthesizer that has
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* only simple tone generators. This is on github at www.github.com/LenShustek/miditones.
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*
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* Volume ("velocity") and instrument information in the MIDI file can either be
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* discarded or kept. All the tracks are processed and merged into a single time-ordered
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* stream of "note on", "note off", "change instrument" and "delay" commands.
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*
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* This was written for the "Playtune" series of Arduino and Teensy microcontroller
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* synthesizers. See the separate documentation for the various Playtune.players at
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* www.github.com/LenShustek/arduino-playtune
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* www.github.com/LenShustek/ATtiny-playtune
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* www.github.com/LenShustek/Playtune_poll
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* www.github.com/LenShustek/Playtune_samp
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* www.github.com/LenShustek/Playtune_synth
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* MIDITONES may also prove useful for other simple music synthesizers..
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*
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* The output can be either a C-language source code fragment that initializes an
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* array with the command bytestream, or a binary file with the bytestream itself.
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*
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* MIDITONES is written in standard ANSI C and is meant to be executed from the
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* command line. There is no GUI interface.
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*
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* The MIDI file format is complicated, and this has not been tested on all of its
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* variations. In particular we have tested only format type "1", which seems
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* to be what most of them are. Let me know if you find MIDI files that it
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* won't digest and I'll see if I can fix it.
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*
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* There is a companion program in the same repository called Miditones_scroll
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* that can convert the bytestream generated by MIDITONES into a piano-player
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* like listing for debugging or annotation. See the documentation in the
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* beginning of its source code.
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*
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*
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* ***** The MIDITONES command line *****
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*
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* To convert a MIDI file called "chopin.mid" into a command bytestream, execute
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*
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* miditones chopin
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*
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* It will create a file in the same directory called "chopin.c" which contains
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* the C-language statement to intiialize an array called "score" with the bytestream.
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*
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*
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* The general form for command line execution is this:
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*
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* miditones <options> <basefilename>
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*
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* The <basefilename> is the base name, without an extension, for the input and
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* output files. It can contain directory path information, or not.
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*
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* The input file is <basefilename>.mid The output filename(s)
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* are the base file name with .c, .bin, and/or .log extensions.
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*
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*
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* The following commonly-used command-line options can be specified:
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*
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* -v Add velocity (volume) information to the output bytestream
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*
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* -i Add instrument change commands to the output bytestream
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*
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* -pt Translate notes in the MIDI percussion track to note numbers 128..255
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* and assign them to a tone generator as usual.
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*
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* -d Generate a self-describing file header that says which optional bytestream
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* fields are present. This is highly recommended if you are using later
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* Playtune players that can check the header to know what data to expect.
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*
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* -b Generate a binary file with the name <basefilename>.bin, instead of a
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* C-language source file with the name <basefilename>.c.
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*
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* -tn Generate the bytestream so that at most "n" tone generators are used.
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* The default is 6 tone generators, and the maximum is 16. The program
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* will report how many notes had to be discarded because there weren't
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* enough tone generators.
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*
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*
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* The best combination of options to use with the later Playtune music players is:
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* -v -i -pt -d
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*
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*
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* The following are lesser-used command-line options:
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*
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* -p Only parse the MIDI file, and don't generate an output file.
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* Tracks are processed sequentially instead of being merged into chronological order.
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* This is mostly useful for debugging MIDI file parsing problems.
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*
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* -lp Log input file parsing information to the <basefilename>.log file
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*
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* -lg Log output bytestream generation information to the <basefilename>.log file
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*
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* -nx Put about "x" items on each line of the C file output
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*
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* -sn Use bytestream generation strategy "n".
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* Two strategies are currently implemented:
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* 1:favor track 1 notes instead of all tracks equally
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* 2:try to keep each track to its own tone generator
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*
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* -cn Only process the channel numbers whose bits are on in the number "n".
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* For example, -c3 means "only process channels 0 and 1". In addition to decimal,
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* "n" can be also specified in hex using a 0x prefix or octal with a 0 prefix.
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*
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* -kn Change the musical key of the output by n chromatic notes.
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* -k-12 goes one octave down, -k12 goes one octave up, etc.
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*
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* -pi Ignore notes in the MIDI percussion track 9 (also called 10 by some)
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*
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* -dp Generate IDE-dependent C code to define PROGMEM
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*
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* -r Terminate the output file with a "restart" command instead of a "stop" command.
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*
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* -h Give command-line help.
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*
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*
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* ***** The score bytestream *****
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*
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* The generated bytestream is a series of commands that turn notes on and off,
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* maybe change instruments, and begin delays until the next note change.
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* Here are the details, with numbers shown in hexadecimal.
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*
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* If the high-order bit of the byte is 1, then it is one of the following commands:
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*
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* 9t nn [vv]
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* Start playing note nn on tone generator t, replacing any previous note.
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* Generators are numbered starting with 0. The note numbers are the MIDI
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* numbers for the chromatic scale, with decimal 69 being Middle A (440 Hz).
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* If the -v option was given, a second byte is added to indicate note volume.
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*
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* 8t Stop playing the note on tone generator t.
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*
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* Ct ii Change tone generator t to play instrument ii from now on. This will only
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* be generated if the -i option was given.
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*
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* F0 End of score; stop playing.
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*
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* E0 End of score; start playing again from the beginning.
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*
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* If the high-order bit of the byte is 0, it is a command to delay for a while until
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* the next note change. The other 7 bits and the 8 bits of the following byte are
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* interpreted as a 15-bit big-endian integer that is the number of milliseconds to
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* wait before processing the next command. For example,
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*
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* 07 D0
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*
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* would cause a delay of 0x07d0 = 2000 decimal millisconds, or 2 seconds. Any tones
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* that were playing before the delay command will continue to play.
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*
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* If the -d option is specified, the bytestream begins with a little header that tells
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* what optional information will be in the data. This makes the file more self-describing,
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* and allows music players to adapt to different kinds of files. The later Playtune
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* players do that. The header looks like this:
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*
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* 'Pt' Two ascii characters that signal the presence of the header
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* nn The length (in one byte) of the entire header, 6..255
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* ff1 A byte of flag bits, three of which are currently defined:
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* 80 velocity information is present
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* 40 instrument change information is present
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* 20 translated percussion notes are present
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* ff2 Another byte of flags, currently undefined
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* tt The number (in one byte) of tone generators actually used in this music.
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*
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* Any subsequent header bytes covered by the count, if present, are currently undefined
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* and should be ignored by players.
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*
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* Len Shustek, 4 Feb 2011 and later
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*
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*----------------------------------------------------------------------------------------
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* The MIT License (MIT)
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* Copyright (c) 2011,2013,2015,2016, Len Shustek
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*
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* Permission is hereby granted, free of charge, to any person obtaining a copy
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* of this software and associated documentation files (the "Software"), to deal
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* in the Software without restriction, including without limitation the rights
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* to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
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* copies of the Software, and to permit persons to whom the Software is
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* furnished to do so, subject to the following conditions:
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*
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* The above copyright notice and this permission notice shall be included in all
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* copies or substantial portions of the Software.
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*
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* THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
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* IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
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* FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
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* AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
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* WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF, OR
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* IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
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*********************************************************************************************/
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// formatted with: Astyle -style=lisp -indent=spaces=3 -mode=c
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/*
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* Change log
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* 19 January 2011, L.Shustek, V1.0
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* -Initial release.
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* 26 February 2011, L. Shustek, V1.1
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* -Expand the documentation generated in the output file.
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* -End the binary output file with an "end of score" command.
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* -Fix bug: Some "stop note" commands were generated too early.
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* 04 March 2011, L. Shustek, V1.2
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* -Minor error message rewording.
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* 13 June 2011, L. Shustek, V1.3
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* -Add -s2 strategy to try to keep each track on its own tone generator
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* for when there are separate speakers. This obviously works only when
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* each track is monophonic. (Suggested by Michal Pustejovsky)
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* 20 November 2011, L. Shustek, V1.4
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* -Add -cn option to mask which channels (tracks) to process
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* -Add -kn option to change key
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* Both of these are in support of music-playing on my Tesla Coil.
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* 05 December 2011, L. Shustek, V1.5
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* -Fix command line parsing error for option -s1
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* -Display the commandline in the C file output
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* -Change to decimal instead of hex for note numbers in the C file output
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* 06 August 2013, L. Shustek, V1.6
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* -Changed to allow compilation and execution in 64-bit environments
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* by using C99 standard intN_t and uintN_t types for MIDI structures,
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* and formatting specifications like "PRId32" instead of "ld".
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* 04 April 2015, L. Shustek, V1.7
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* -Made friendlier to other compilers: import source of strlcpy and strlcat,
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* fixed various type mismatches that the LCC compiler didn't fret about.
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* Generate "const" for data initialization for compatibility with Arduino IDE v1.6.x.
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* 23 January 2016, D. Blackketter, V1.8
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* -Fix warnings and errors building on Mac OS X via "gcc miditones.c"
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* 25 January 2016, D. Blackketter, Paul Stoffregen, V1.9
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* -Merge in velocity output option from Arduino/Teensy Audio Library
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* 26 June 2016, L. Shustek, V1.10
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* -Fix overflow problem in calculating long delays. (Thanks go to Tiago Rocha.)
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* In the process I discover and work around an LCC 32-bit compiler bug.
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* 14 August 2016: L. Shustek, V1.11
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* -Fix our interpretation of MIDI "running status": it applies only to MIDI events
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* (8x through Ex), not, as we thought, also to Sysex (Fx) or Meta (FF) events.
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* -Improve parsing of text events for the log.
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* -Change log file note and patch numbers, etc., to decimal.
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* -Document a summary of the MIDI file format so I don't have to keep looking it up.
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* -Add -pi and -pt options to ignore or translate the MIDI percussion track 9.
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* -Remove string.h for more portability; add strlength().
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* -Add -i option for recording instrument types in the bytestream.
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* -Add -d option for generating a file description header.
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* -Add -dp option to make generating the PROGMEM definition optional
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* -Add -n option to specify number of items per output line
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* -Do better error checking on options
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* -Reformat option help
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* 26 September 2016, Scott Allen, V1.12
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* - Fix spelling and minor formatting errors
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* - Fix -p option parsing and handling, which broke when -pi and -pt were added
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* - Fix handling of the -nx option to count more accurately
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* - Give a proper error message for missing base name
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* - Include the header and terminator in the score byte count
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* 30 September 2016, Scott Allen, V1.13
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* - Allow -c channel numbers to be specified as hex or octal
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* - Add -r to end the file with "repeat" instead of "score end"
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* 30 September 2016, Len Shustek, V1.14
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* - Prevent unnecessary "note off" commands from being generated by delaying
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* them until we see if a "note on" is generated before the next wait.
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* Thanks to Scott Allen for inspiring me to do this. In the best case we've
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* seen, this makes the bytestream 21% smaller!
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* 13 November 2017, Earle Philhower, V1.15
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* - Allow META fields to be larger than 127 bytes.
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* 2 January 2018, Kodest, V1.16
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* - Don't generate zero-length delays
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* 13 September 2018, Paul Stoffregen, V1.17
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- Fix compile errors on Linux with gcc run in default mode
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* 1 January 2019, Len Shustek, V1.18
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- Fix the bug found by Chris van Marle (thanks!) that caused delays not to be
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generated until the tempo was set. (The default is 500,000 usec/beat, not 0.)
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- Abandon LCC and compile under Microsoft Visual Studio 2017.
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- Reformat to condense the source code, so you see more protein and less
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syntactic sugar on each screen.
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*/
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#define VERSION "1.18"
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/*--------------------------------------------------------------------------------------------
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A CONCISE SUMMARY OF MIDI FILE FORMAT
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L. Shustek, 16 July 2016.
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Gleaned from http://www.music.mcgill.ca/~ich/classes/mumt306/StandardMIDIfileformat.html
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Notation:
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<xxx> is 1-4 bytes of 7-bit data, concatenated into one 7- to 28-bit number. The high bit of the last byte is 0.
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lower case letters are hex digits. If preceeded by 0, only low 7 bits are used.
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"xx" are ascii text characters
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{xxx}... means indefinite repeat of xxx
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a MIDI file is:
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header_chunk {track_chunk}...
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a header_chunk is:
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"MThd" 00000006 ffff nnnn dddd
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a track_chunk is:
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"MTrk" llllllll {<deltatime> track_event}...
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a running status track_event is:
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0x to 7x: assume a missing 8n to En event code which is the same as the last MIDI-event track_event
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a MIDI-event track_event is:
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8n 0kk 0vv note off, channel n, note kk, velocity vv
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9n 0kk 0vv note on, channel n, note kk, velocity vv
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An 0kk 0vv key pressure, channel n, note kk, pressure vv
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Bn 0cc 0vv control value change, channel n, controller cc, new value vv
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Cn 0pp program patch (instrument) change, channel n, new program pp
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Dn 0vv channel pressure, channel n, pressure vv
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En 0ll 0mm pitch wheel change, value llmm
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Note that channel 9 (called 10 by some programs) is used for percussion, particularly notes 35 to 81.
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a Sysex event track_event is:
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F0 0ii {0dd}... F7 system-dependent data for manufacture ii. See www.gweep.net/~prefect/eng/reference/protocol/midispec.html
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F2 0ll 0mm song position pointer
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F3 0ss song select
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F6 tune request
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F7 end of system-dependent data
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F8 timing clock sync
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FA start playing
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FB continue playing
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FC stop playing
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FE active sensing (hearbeat)
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a meta event track_event is:
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FF 00 02 ssss specify sequence number
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FF 01 <len> "xx"... arbitrary text
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FF 02 <len> "xx"... copyright notice
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FF 03 <len> "xx"... sequence or track name
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FF 04 <len> "xx"... instrument name
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FF 05 <len> "xx"... lyric to be sung
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FF 06 <len> "xx"... name of marked point in the score
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FF 07 <len> "xx"... description of cue point in the score
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FF 20 01 0c default channel for subsequent events without a channel is c
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FF 2F 00 end of track
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FF 51 03 tttttt set tempo in microseconds per quarter-note
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FF 54 05 hhmmssfrff set SMPTE time to start the track
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FF 58 04 nnddccbb set time signature
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FF 59 02 sfmi set key signature
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FF 7F <len> data sequencer-specific data
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--------------------------------------------------------------------------------------------*/
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#include <stdio.h>
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#include <stdlib.h>
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#include <ctype.h>
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#include <stdbool.h>
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#include <time.h>
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#include <inttypes.h>
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/*********** MIDI file header formats *****************/
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struct midi_header {
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int8_t MThd[4];
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uint32_t header_size;
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uint16_t format_type;
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uint16_t number_of_tracks;
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uint16_t time_division; };
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struct track_header {
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int8_t MTrk[4];
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uint32_t track_size; };
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/*********** Global variables ******************/
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#define MAX_TONEGENS 16 /* max tone generators: tones we can play simultaneously */
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#define DEFAULT_TONEGENS 6 /* default number of tone generators */
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#define MAX_TRACKS 24 /* max number of MIDI tracks we will process */
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#define PERCUSSION_TRACK 9 /* the track MIDI uses for percussion sounds */
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#define DEFAULT_TEMPO 500000L /* the MIDI-specified default tempo in usec/beat */
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bool loggen, logparse, parseonly, strategy1, strategy2, binaryoutput, define_progmem,
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velocityoutput, instrumentoutput, percussion_ignore, percussion_translate, do_header,
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gen_restart;
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FILE *infile, *outfile, *logfile;
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uint8_t *buffer, *hdrptr;
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unsigned long buflen;
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int num_tracks;
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int tracks_done = 0;
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int outfile_maxitems = 26;
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int outfile_itemcount = 0;
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int num_tonegens = DEFAULT_TONEGENS;
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int num_tonegens_used = 0;
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int instrument_changes = 0;
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int note_on_commands = 0;
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unsigned channel_mask = 0xffff; // bit mask of channels to process
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int keyshift = 0; // optional chromatic note shift for output file
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long int outfile_bytecount = 0;
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unsigned int ticks_per_beat = 240;
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unsigned long timenow = 0;
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unsigned long tempo; /* current tempo in usec/qnote */
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struct tonegen_status { /* current status of a tone generator */
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bool playing; /* is it playing? */
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bool stopnote_pending; /* do we need to stop this generator before the next wait? */
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int track; /* if so, which track is the note from? */
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int note; /* what note is playing? */
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int instrument; /* what instrument? */
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} tonegen[MAX_TONEGENS] = {
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{
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0 } };
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struct track_status { /* current processing point of a MIDI track */
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uint8_t *trkptr; /* ptr to the next note change */
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uint8_t *trkend; /* ptr past the end of the track */
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unsigned long time; /* what time we're at in the score */
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unsigned long tempo; /* the tempo last set, in usec per qnote */
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unsigned int preferred_tonegen; /* for strategy2, try to use this generator */
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unsigned char cmd; /* CMD_xxxx next to do */
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unsigned char note; /* for which note */
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unsigned char chan; /* from which channel it was */
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unsigned char velocity; /* the current volume */
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unsigned char last_event; /* the last event, for MIDI's "running status" */
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bool tonegens[MAX_TONEGENS]; /* which tone generators our notes are playing on */
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} track[MAX_TRACKS] = {
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{
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0 } };
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int midi_chan_instrument[16] = {
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0 }; /* which instrument is currently being played on each channel */
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/* output bytestream commands, which are also stored in track_status.cmd */
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#define CMD_PLAYNOTE 0x90 /* play a note: low nibble is generator #, note is next byte */
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#define CMD_STOPNOTE 0x80 /* stop a note: low nibble is generator # */
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#define CMD_INSTRUMENT 0xc0 /* change instrument; low nibble is generator #, instrument is next byte */
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#define CMD_RESTART 0xe0 /* restart the score from the beginning */
|
|
#define CMD_STOP 0xf0 /* stop playing */
|
|
/* if CMD < 0x80, then the other 7 bits and the next byte are a 15-bit number of msec to delay */
|
|
|
|
/* these other commands stored in the track_status.com */
|
|
#define CMD_TEMPO 0xFE /* tempo in usec per quarter note ("beat") */
|
|
#define CMD_TRACKDONE 0xFF /* no more data left in this track */
|
|
|
|
|
|
struct file_hdr_t { /* what the optional file header looks like */
|
|
char id1; // 'P'
|
|
char id2; // 't'
|
|
unsigned char hdr_length; // length of whole file header
|
|
unsigned char f1; // flag byte 1
|
|
unsigned char f2; // flag byte 2
|
|
unsigned char num_tgens; // how many tone generators are used by this score
|
|
} file_header = {
|
|
'P', 't', sizeof (struct file_hdr_t), 0, 0, MAX_TONEGENS };
|
|
|
|
#define HDR_F1_VOLUME_PRESENT 0x80
|
|
#define HDR_F1_INSTRUMENTS_PRESENT 0x40
|
|
#define HDR_F1_PERCUSSION_PRESENT 0x20
|
|
|
|
|
|
long int file_header_num_tgens_position;
|
|
|
|
/************** command-line processing *******************/
|
|
|
|
void SayUsage (char *programName) {
|
|
static char *usage[] = {
|
|
"Convert MIDI files to an Arduino PLAYTUNE bytestream",
|
|
"",
|
|
"Use: miditones <options> <basefilename>",
|
|
" input file will be <basefilename>.mid",
|
|
" output file will be <basefilename>.bin or .c",
|
|
" log file will be <basefilename>.log",
|
|
"",
|
|
"Commonly-used options:",
|
|
" -v include velocity data",
|
|
" -i include instrument change commands",
|
|
" -pt translate notes in the percussion track to notes 129 to 255",
|
|
" -d include a self-describing file header",
|
|
" -b generate binary file output instead of C source text",
|
|
" -tn use at most n tone generators (default is 6, max is 16)",
|
|
"",
|
|
" The best options for later Playtune music players are: -v -i -pt -d",
|
|
"",
|
|
"Lesser-used command-line options:",
|
|
" -p parse only, don't generate bytestream",
|
|
" -lp log input parsing",
|
|
" -lg log output generation",
|
|
" -nx put about x items on each line of the C file output",
|
|
" -s1 strategy 1: favor track 1",
|
|
" -s2 strategy 2: try to assign tracks to specific tone generators",
|
|
" -cn mask for which tracks to process, e.g. -c3 for only 0 and 1",
|
|
" -kn key shift in chromatic notes, positive or negative",
|
|
" -pi ignore notes in the percussion track (9)",
|
|
" -dp define PROGMEM in output C code",
|
|
" -r terminate output file with \"restart\" instead of \"stop\" command",
|
|
NULL };
|
|
int i = 0;
|
|
while (usage[i] != NULL)
|
|
fprintf (stderr, "%s\n", usage[i++]); }
|
|
|
|
|
|
int HandleOptions (int argc, char *argv[]) {
|
|
/* returns the index of the first argument that is not an option; i.e.
|
|
does not start with a dash or a slash*/
|
|
|
|
int i, nch, firstnonoption = 0;
|
|
|
|
/* --- The following skeleton comes from C:\lcc\lib\wizard\textmode.tpl. */
|
|
for (i = 1; i < argc; i++) {
|
|
if (argv[i][0] == '/' || argv[i][0] == '-') {
|
|
switch (toupper (argv[i][1])) {
|
|
case 'H':
|
|
case '?':
|
|
SayUsage (argv[0]);
|
|
exit (1);
|
|
case 'L':
|
|
if (toupper (argv[i][2]) == 'G')
|
|
loggen = true;
|
|
else if (toupper (argv[i][2]) == 'P')
|
|
logparse = true;
|
|
else
|
|
goto opterror;
|
|
if (argv[i][3] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'P':
|
|
if (argv[i][2] == '\0') {
|
|
parseonly = true;
|
|
break; }
|
|
else if (toupper (argv[i][2]) == 'I')
|
|
percussion_ignore = true;
|
|
else if (toupper (argv[i][2]) == 'T')
|
|
percussion_translate = true;
|
|
else
|
|
goto opterror;
|
|
if (argv[i][3] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'B':
|
|
binaryoutput = true;
|
|
if (argv[i][2] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'V':
|
|
velocityoutput = true;
|
|
if (argv[i][2] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'I':
|
|
instrumentoutput = true;
|
|
if (argv[i][2] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'S':
|
|
if (argv[i][2] == '1')
|
|
strategy1 = true;
|
|
else if (argv[i][2] == '2')
|
|
strategy2 = true;
|
|
else
|
|
goto opterror;
|
|
if (argv[i][3] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'T':
|
|
if (sscanf (&argv[i][2], "%d%n", &num_tonegens, &nch) != 1
|
|
|| num_tonegens < 1 || num_tonegens > MAX_TONEGENS)
|
|
goto opterror;
|
|
printf ("Using %d tone generators.\n", num_tonegens);
|
|
if (argv[i][2 + nch] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'N':
|
|
if (sscanf (&argv[i][2], "%d%n", &outfile_maxitems, &nch) != 1 || outfile_maxitems < 1)
|
|
goto opterror;
|
|
if (argv[i][2 + nch] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'C':
|
|
if (sscanf (&argv[i][2], "%i%n", &channel_mask, &nch) != 1 || channel_mask > 0xffff)
|
|
goto opterror;
|
|
printf ("Channel (track) mask is %04X.\n", channel_mask);
|
|
if (argv[i][2 + nch] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'K':
|
|
if (sscanf (&argv[i][2], "%d%n", &keyshift, &nch) != 1 || keyshift < -100
|
|
|| keyshift > 100)
|
|
goto opterror;
|
|
printf ("Using keyshift %d.\n", keyshift);
|
|
if (argv[i][2 + nch] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'D':
|
|
if (argv[i][2] == '\0') {
|
|
do_header = true;
|
|
break; }
|
|
if (toupper (argv[i][2]) == 'P')
|
|
define_progmem = true;
|
|
else
|
|
goto opterror;
|
|
if (argv[i][3] != '\0')
|
|
goto opterror;
|
|
break;
|
|
case 'R':
|
|
gen_restart = true;
|
|
if (argv[i][2] != '\0')
|
|
goto opterror;
|
|
break;
|
|
/* add more option switches here */
|
|
opterror:
|
|
default:
|
|
fprintf (stderr, "\n*** unknown option: %s\n\n", argv[i]);
|
|
SayUsage (argv[0]);
|
|
exit (4); } }
|
|
else {
|
|
firstnonoption = i;
|
|
break; } }
|
|
return firstnonoption; }
|
|
|
|
void print_command_line (int argc, char *argv[]) {
|
|
int i;
|
|
fprintf (outfile, "// command line: ");
|
|
for (i = 0; i < argc; i++)
|
|
fprintf (outfile, "%s ", argv[i]);
|
|
fprintf (outfile, "\n"); }
|
|
|
|
|
|
/**************** utility routines **********************/
|
|
|
|
/* portable string length */
|
|
int strlength (const char *str) {
|
|
int i;
|
|
for (i = 0; str[i] != '\0'; ++i);
|
|
return i; }
|
|
|
|
/* safe string copy */
|
|
size_t miditones_strlcpy (char *dst, const char *src, size_t siz) {
|
|
char *d = dst;
|
|
const char *s = src;
|
|
size_t n = siz;
|
|
/* Copy as many bytes as will fit */
|
|
if (n != 0) {
|
|
while (--n != 0) {
|
|
if ((*d++ = *s++) == '\0')
|
|
break; } }
|
|
/* Not enough room in dst, add NUL and traverse rest of src */
|
|
if (n == 0) {
|
|
if (siz != 0)
|
|
*d = '\0'; /* NUL-terminate dst */
|
|
while (*s++); }
|
|
return (s - src - 1); /* count does not include NUL */
|
|
}
|
|
|
|
/* safe string concatenation */
|
|
|
|
size_t miditones_strlcat (char *dst, const char *src, size_t siz) {
|
|
char *d = dst;
|
|
const char *s = src;
|
|
size_t n = siz;
|
|
size_t dlen;
|
|
/* Find the end of dst and adjust bytes left but don't go past end */
|
|
while (n-- != 0 && *d != '\0')
|
|
d++;
|
|
dlen = d - dst;
|
|
n = siz - dlen;
|
|
if (n == 0)
|
|
return (dlen + strlength (s));
|
|
while (*s != '\0') {
|
|
if (n != 1) {
|
|
*d++ = *s;
|
|
n--; }
|
|
s++; }
|
|
*d = '\0';
|
|
return (dlen + (s - src)); /* count does not include NUL */
|
|
}
|
|
|
|
/* match a constant character sequence */
|
|
|
|
int charcmp (const char *buf, const char *match) {
|
|
int len, i;
|
|
len = strlength (match);
|
|
for (i = 0; i < len; ++i)
|
|
if (buf[i] != match[i])
|
|
return 0;
|
|
return 1; }
|
|
|
|
/* announce a fatal MIDI file format error */
|
|
|
|
void midi_error (char *msg, unsigned char *bufptr) {
|
|
unsigned char *ptr;
|
|
fprintf (stderr, "---> MIDI file error at position %04X (%d): %s\n",
|
|
(uint16_t) (bufptr - buffer), (uint16_t) (bufptr - buffer), msg);
|
|
/* print some bytes surrounding the error */
|
|
ptr = bufptr - 16;
|
|
if (ptr < buffer)
|
|
ptr = buffer;
|
|
for (; ptr <= bufptr + 16 && ptr < buffer + buflen; ++ptr)
|
|
fprintf (stderr, ptr == bufptr ? " [%02X] " : "%02X ", *ptr);
|
|
fprintf (stderr, "\n");
|
|
exit (8); }
|
|
|
|
/* check that we have a specified number of bytes left in the buffer */
|
|
|
|
void chk_bufdata (unsigned char *ptr, unsigned long int len) {
|
|
if ((unsigned) (ptr + len - buffer) > buflen)
|
|
midi_error ("data missing", ptr); }
|
|
|
|
/* fetch big-endian numbers */
|
|
|
|
uint16_t rev_short (uint16_t val) {
|
|
return ((val & 0xff) << 8) | ((val >> 8) & 0xff); }
|
|
|
|
uint32_t rev_long (uint32_t val) {
|
|
return (((rev_short ((uint16_t) val) & 0xffff) << 16) |
|
|
(rev_short ((uint16_t) (val >> 16)) & 0xffff)); }
|
|
|
|
/* account for new items in the non-binary output file
|
|
and generate a newline every so often. */
|
|
|
|
void outfile_items (int n) {
|
|
outfile_bytecount += n;
|
|
outfile_itemcount += n;
|
|
if (!binaryoutput && outfile_itemcount >= outfile_maxitems) {
|
|
fprintf (outfile, "\n");
|
|
outfile_itemcount = 0; } }
|
|
|
|
/************** process the MIDI file header *****************/
|
|
|
|
void process_header (void) {
|
|
struct midi_header *hdr;
|
|
unsigned int time_division;
|
|
|
|
chk_bufdata (hdrptr, sizeof (struct midi_header));
|
|
hdr = (struct midi_header *) hdrptr;
|
|
if (!charcmp ((char *) hdr->MThd, "MThd"))
|
|
midi_error ("Missing 'MThd'", hdrptr);
|
|
num_tracks = rev_short (hdr->number_of_tracks);
|
|
time_division = rev_short (hdr->time_division);
|
|
if (time_division < 0x8000)
|
|
ticks_per_beat = time_division;
|
|
else
|
|
ticks_per_beat = ((time_division >> 8) & 0x7f) /* SMTE frames/sec */ *(time_division & 0xff); /* ticks/SMTE frame */
|
|
if (logparse) {
|
|
fprintf (logfile, "Header size %" PRId32 "\n", rev_long (hdr->header_size));
|
|
fprintf (logfile, "Format type %d\n", rev_short (hdr->format_type));
|
|
fprintf (logfile, "Number of tracks %d\n", num_tracks);
|
|
fprintf (logfile, "Time division %04X\n", time_division);
|
|
fprintf (logfile, "Ticks/beat = %d\n", ticks_per_beat); }
|
|
hdrptr += rev_long (hdr->header_size) + 8; /* point past header to track header, presumably. */
|
|
return; }
|
|
|
|
|
|
/**************** Process a MIDI track header *******************/
|
|
|
|
void start_track (int tracknum) {
|
|
struct track_header *hdr;
|
|
unsigned long tracklen;
|
|
|
|
chk_bufdata (hdrptr, sizeof (struct track_header));
|
|
hdr = (struct track_header *) hdrptr;
|
|
if (!charcmp ((char *) (hdr->MTrk), "MTrk"))
|
|
midi_error ("Missing 'MTrk'", hdrptr);
|
|
tracklen = rev_long (hdr->track_size);
|
|
if (logparse)
|
|
fprintf (logfile, "\nTrack %d length %ld\n", tracknum, tracklen);
|
|
hdrptr += sizeof (struct track_header); /* point past header */
|
|
chk_bufdata (hdrptr, tracklen);
|
|
track[tracknum].trkptr = hdrptr;
|
|
hdrptr += tracklen; /* point to the start of the next track */
|
|
track[tracknum].trkend = hdrptr; /* the point past the end of the track */
|
|
}
|
|
|
|
|
|
/* Get a MIDI-style variable-length integer */
|
|
|
|
unsigned long get_varlen (uint8_t ** ptr) {
|
|
/* Get a 1-4 byte variable-length value and adjust the pointer past it.
|
|
These are a succession of 7-bit values with a MSB bit of zero marking the end */
|
|
|
|
unsigned long val;
|
|
int i, byte;
|
|
|
|
val = 0;
|
|
for (i = 0; i < 4; ++i) {
|
|
byte = *(*ptr)++;
|
|
val = (val << 7) | (byte & 0x7f);
|
|
if (!(byte & 0x80))
|
|
return val; }
|
|
return val; }
|
|
|
|
|
|
/*************** Process the MIDI track data ***************************/
|
|
|
|
/* Skip in the track for the next "note on", "note off" or "set tempo" command,
|
|
then record that information in the track status block and return. */
|
|
|
|
void find_note (int tracknum) {
|
|
unsigned long int delta_time;
|
|
int event, chan;
|
|
int i;
|
|
int note, velocity, controller, pressure, pitchbend, instrument;
|
|
int meta_cmd, meta_length;
|
|
unsigned long int sysex_length;
|
|
struct track_status *t;
|
|
char *tag;
|
|
|
|
/* process events */
|
|
|
|
t = &track[tracknum]; /* our track status structure */
|
|
while (t->trkptr < t->trkend) {
|
|
|
|
delta_time = get_varlen (&t->trkptr);
|
|
if (logparse) {
|
|
fprintf (logfile, "trk %d ", tracknum);
|
|
if (delta_time) {
|
|
fprintf (logfile, "delta time %4ld, ", delta_time); }
|
|
else {
|
|
fprintf (logfile, " "); } }
|
|
t->time += delta_time;
|
|
if (*t->trkptr < 0x80)
|
|
event = t->last_event; /* using "running status": same event as before */
|
|
else { /* otherwise get new "status" (event type) */
|
|
event = *t->trkptr++; }
|
|
if (event == 0xff) { /* meta-event */
|
|
meta_cmd = *t->trkptr++;
|
|
meta_length = get_varlen (&t->trkptr);
|
|
switch (meta_cmd) {
|
|
case 0x00:
|
|
if (logparse)
|
|
fprintf (logfile, "sequence number %d\n", rev_short (*(unsigned short *) t->trkptr));
|
|
break;
|
|
case 0x01:
|
|
tag = "description";
|
|
goto show_text;
|
|
case 0x02:
|
|
tag = "copyright";
|
|
goto show_text;
|
|
case 0x03:
|
|
tag = "track name";
|
|
if (tracknum == 0 && !parseonly && !binaryoutput) {
|
|
/* Incredibly, MIDI has no standard for recording the name of the piece!
|
|
Track 0's "trackname" is often used for that so we output it to the C file as documentation. */
|
|
fprintf (outfile, "// ");
|
|
for (i = 0; i < meta_length; ++i) {
|
|
int ch = t->trkptr[i];
|
|
fprintf (outfile, "%c", isprint (ch) ? ch : '?'); }
|
|
fprintf (outfile, "\n"); }
|
|
goto show_text;
|
|
case 0x04:
|
|
tag = "instrument name";
|
|
goto show_text;
|
|
case 0x05:
|
|
tag = "lyric";
|
|
goto show_text;
|
|
case 0x06:
|
|
tag = "marked point";
|
|
goto show_text;
|
|
case 0x07:
|
|
tag = "cue point";
|
|
show_text:
|
|
if (logparse) {
|
|
fprintf (logfile, "meta cmd %02X, length %d, %s: \"", meta_cmd, meta_length, tag);
|
|
for (i = 0; i < meta_length; ++i) {
|
|
int ch = t->trkptr[i];
|
|
fprintf (logfile, "%c", isprint (ch) ? ch : '?'); }
|
|
fprintf (logfile, "\"\n"); }
|
|
break;
|
|
case 0x20:
|
|
if (logparse)
|
|
fprintf (logfile, "channel prefix %d\n", *t->trkptr);
|
|
break;
|
|
case 0x2f:
|
|
if (logparse)
|
|
fprintf (logfile, "end of track\n");
|
|
break;
|
|
case 0x51: /* tempo: 3 byte big-endian integer! */
|
|
t->cmd = CMD_TEMPO;
|
|
t->tempo = rev_long (*(unsigned long *) (t->trkptr - 1)) & 0xffffffL;
|
|
if (logparse)
|
|
fprintf (logfile, "set tempo %ld usec/qnote\n", t->tempo);
|
|
t->trkptr += meta_length;
|
|
return;
|
|
case 0x54:
|
|
if (logparse)
|
|
fprintf (logfile, "SMPTE offset %08" PRIx32 "\n",
|
|
rev_long (*(unsigned long *) t->trkptr));
|
|
break;
|
|
case 0x58:
|
|
if (logparse)
|
|
fprintf (logfile, "time signature %08" PRIx32 "\n",
|
|
rev_long (*(unsigned long *) t->trkptr));
|
|
break;
|
|
case 0x59:
|
|
if (logparse)
|
|
fprintf (logfile, "key signature %04X\n", rev_short (*(unsigned short *) t->trkptr));
|
|
break;
|
|
case 0x7f:
|
|
tag = "sequencer data";
|
|
goto show_hex;
|
|
default: /* unknown meta command */
|
|
tag = "???";
|
|
show_hex:
|
|
if (logparse) {
|
|
fprintf (logfile, "meta cmd %02X, length %d, %s: ", meta_cmd, meta_length, tag);
|
|
for (i = 0; i < meta_length; ++i)
|
|
fprintf (logfile, "%02X ", t->trkptr[i]);
|
|
fprintf (logfile, "\n"); }
|
|
|
|
break; }
|
|
t->trkptr += meta_length; }
|
|
|
|
else if (event < 0x80)
|
|
midi_error ("Unknown MIDI event type", t->trkptr);
|
|
|
|
else {
|
|
if (event < 0xf0)
|
|
t->last_event = event; // remember "running status" if not meta or sysex event
|
|
chan = event & 0xf;
|
|
t->chan = chan;
|
|
switch (event >> 4) {
|
|
case 0x8:
|
|
t->note = *t->trkptr++;
|
|
velocity = *t->trkptr++;
|
|
note_off:
|
|
if (logparse)
|
|
fprintf (logfile, "note %d off, chan %d, velocity %d\n", t->note, chan, velocity);
|
|
if ((1 << chan) & channel_mask) { /* if we're processing this channel */
|
|
t->cmd = CMD_STOPNOTE;
|
|
return; /* stop processing and return */
|
|
}
|
|
break; // else keep looking
|
|
case 0x9:
|
|
t->note = *t->trkptr++;
|
|
velocity = *t->trkptr++;
|
|
if (velocity == 0) /* some scores use note-on with zero velocity for off! */
|
|
goto note_off;
|
|
t->velocity = velocity;
|
|
if (logparse)
|
|
fprintf (logfile, "note %d on, chan %d, velocity %d\n", t->note, chan, velocity);
|
|
if ((1 << chan) & channel_mask) { /* if we're processing this channel */
|
|
t->cmd = CMD_PLAYNOTE;
|
|
return; /* stop processing and return */
|
|
}
|
|
break; // else keep looking
|
|
case 0xa:
|
|
note = *t->trkptr++;
|
|
velocity = *t->trkptr++;
|
|
if (logparse)
|
|
fprintf (logfile, "after-touch %d, %d\n", note, velocity);
|
|
break;
|
|
case 0xb:
|
|
controller = *t->trkptr++;
|
|
velocity = *t->trkptr++;
|
|
if (logparse)
|
|
fprintf (logfile, "control change %d, %d\n", controller, velocity);
|
|
break;
|
|
case 0xc:
|
|
instrument = *t->trkptr++;
|
|
midi_chan_instrument[chan] = instrument; // record new instrument for this channel
|
|
if (logparse)
|
|
fprintf (logfile, "program patch %d\n", instrument);
|
|
break;
|
|
case 0xd:
|
|
pressure = *t->trkptr++;
|
|
if (logparse)
|
|
fprintf (logfile, "channel after-touch %d\n", pressure);
|
|
break;
|
|
case 0xe:
|
|
pitchbend = *t->trkptr++ | (*t->trkptr++ << 7);
|
|
if (logparse)
|
|
fprintf (logfile, "pitch wheel change %d\n", pitchbend);
|
|
break;
|
|
case 0xf:
|
|
sysex_length = get_varlen (&t->trkptr);
|
|
if (logparse)
|
|
fprintf (logfile, "SysEx event %d, %ld bytes\n", event, sysex_length);
|
|
t->trkptr += sysex_length;
|
|
break;
|
|
default:
|
|
midi_error ("Unknown MIDI command", t->trkptr); } } }
|
|
t->cmd = CMD_TRACKDONE; /* no more notes to process */
|
|
++tracks_done; }
|
|
|
|
|
|
/* generate "stop note" commands for any channels that have them pending */
|
|
|
|
void gen_stopnotes(void) {
|
|
struct tonegen_status *tg;
|
|
int tgnum;
|
|
for (tgnum = 0; tgnum < num_tonegens; ++tgnum) {
|
|
tg = &tonegen[tgnum];
|
|
if (tg->stopnote_pending) {
|
|
if (binaryoutput) {
|
|
putc (CMD_STOPNOTE | tgnum, outfile);
|
|
outfile_bytecount += 1; }
|
|
else {
|
|
fprintf (outfile, "0x%02X, ", CMD_STOPNOTE | tgnum);
|
|
outfile_items (1); }
|
|
tg->stopnote_pending = false; } } }
|
|
|
|
/********************* main ****************************/
|
|
|
|
int main (int argc, char *argv[]) {
|
|
int argno;
|
|
char *filebasename;
|
|
#define MAXPATH 120
|
|
char filename[MAXPATH];
|
|
int tracknum;
|
|
int earliest_tracknum;
|
|
unsigned long earliest_time;
|
|
int notes_skipped = 0;
|
|
|
|
printf ("MIDITONES V%s, (C) 2011-2016 Len Shustek\n", VERSION);
|
|
if (argc == 1) { /* no arguments */
|
|
SayUsage (argv[0]);
|
|
return 1; }
|
|
|
|
/* process options */
|
|
|
|
argno = HandleOptions (argc, argv);
|
|
if (argno == 0) {
|
|
fprintf (stderr, "\n*** No basefilename given\n\n");
|
|
SayUsage (argv[0]);
|
|
exit (4); }
|
|
filebasename = argv[argno];
|
|
|
|
/* Open the log file */
|
|
|
|
if (logparse || loggen) {
|
|
miditones_strlcpy (filename, filebasename, MAXPATH);
|
|
miditones_strlcat (filename, ".log", MAXPATH);
|
|
logfile = fopen (filename, "w");
|
|
if (!logfile) {
|
|
fprintf (stderr, "Unable to open log file %s\n", filename);
|
|
return 1; }
|
|
fprintf (logfile, "MIDITONES V%s log file\n", VERSION); }
|
|
|
|
/* Open the input file */
|
|
|
|
miditones_strlcpy (filename, filebasename, MAXPATH);
|
|
miditones_strlcat (filename, ".mid", MAXPATH);
|
|
infile = fopen (filename, "rb");
|
|
if (!infile) {
|
|
fprintf (stderr, "Unable to open input file %s\n", filename);
|
|
return 1; }
|
|
|
|
/* Read the whole input file into memory */
|
|
|
|
fseek (infile, 0, SEEK_END); /* find file size */
|
|
buflen = ftell (infile);
|
|
fseek (infile, 0, SEEK_SET);
|
|
buffer = (unsigned char *) malloc (buflen + 1);
|
|
if (!buffer) {
|
|
fprintf (stderr, "Unable to allocate %ld bytes for the file\n", buflen);
|
|
return 1; }
|
|
fread (buffer, buflen, 1, infile);
|
|
fclose (infile);
|
|
if (logparse)
|
|
fprintf (logfile, "Processing %s, %ld bytes\n", filename, buflen);
|
|
|
|
/* Create the output file */
|
|
|
|
if (!parseonly) {
|
|
miditones_strlcpy (filename, filebasename, MAXPATH);
|
|
if (binaryoutput) {
|
|
miditones_strlcat (filename, ".bin", MAXPATH);
|
|
outfile = fopen (filename, "wb"); }
|
|
else {
|
|
miditones_strlcat (filename, ".c", MAXPATH);
|
|
outfile = fopen (filename, "w"); }
|
|
if (!outfile) {
|
|
fprintf (stderr, "Unable to open output file %s\n", filename);
|
|
return 1; }
|
|
file_header.f1 = (velocityoutput ? HDR_F1_VOLUME_PRESENT : 0)
|
|
| (instrumentoutput ? HDR_F1_INSTRUMENTS_PRESENT : 0)
|
|
| (percussion_translate ? HDR_F1_PERCUSSION_PRESENT : 0);
|
|
file_header.num_tgens = num_tonegens;
|
|
if (!binaryoutput) { /* create header of C file that initializes score data */
|
|
time_t rawtime;
|
|
time (&rawtime);
|
|
fprintf (outfile, "// Playtune bytestream for file \"%s.mid\" ", filebasename);
|
|
fprintf (outfile, "created by MIDITONES V%s on %s", VERSION,
|
|
asctime (localtime (&rawtime)));
|
|
print_command_line (argc, argv);
|
|
if (channel_mask != 0xffff)
|
|
fprintf (outfile, "// Only the masked channels were processed: %04X\n", channel_mask);
|
|
if (keyshift != 0)
|
|
fprintf (outfile, "// Keyshift was %d chromatic notes\n", keyshift);
|
|
if (define_progmem) {
|
|
fprintf (outfile, "#ifdef __AVR__\n");
|
|
fprintf (outfile, "#include <avr/pgmspace.h>\n");
|
|
fprintf (outfile, "#else\n");
|
|
fprintf (outfile, "#define PROGMEM\n");
|
|
fprintf (outfile, "#endif\n"); }
|
|
fprintf (outfile, "const unsigned char PROGMEM score [] = {\n");
|
|
if (do_header) { // write the C initialization for the file header
|
|
fprintf (outfile, "'P','t', 6, 0x%02X, 0x%02X, ", file_header.f1, file_header.f2);
|
|
fflush (outfile);
|
|
file_header_num_tgens_position = ftell (outfile); // remember where the number of tone generators is
|
|
fprintf (outfile, "%2d, // (Playtune file header)\n", file_header.num_tgens);
|
|
outfile_bytecount += 6; } }
|
|
else if (do_header) { // write the binary file header
|
|
int i;
|
|
for (i = 0; i < sizeof (file_header); ++i)
|
|
fputc (((unsigned char *) &file_header)[i], outfile);
|
|
file_header_num_tgens_position = (char *) &file_header.num_tgens - (char *) &file_header;
|
|
outfile_bytecount += sizeof (file_header); } }
|
|
|
|
/* process the MIDI file header */
|
|
|
|
hdrptr = buffer; /* pointer to file and track headers */
|
|
process_header ();
|
|
printf (" Processing %d tracks.\n", num_tracks);
|
|
if (num_tracks > MAX_TRACKS)
|
|
midi_error ("Too many tracks", buffer);
|
|
|
|
/* initialize processing of all the tracks */
|
|
|
|
tempo = DEFAULT_TEMPO;
|
|
for (tracknum = 0; tracknum < num_tracks; ++tracknum) {
|
|
track[tracknum].tempo = DEFAULT_TEMPO;
|
|
start_track (tracknum); /* process the track header */
|
|
find_note (tracknum); /* position to the first note on/off */
|
|
/* if we are in "parse only" mode, do the whole track,
|
|
so we do them one at a time instead of time-synchronized. */
|
|
if (parseonly)
|
|
while (track[tracknum].cmd != CMD_TRACKDONE)
|
|
find_note (tracknum); }
|
|
|
|
/* Continue processing all tracks, in an order based on the simulated time.
|
|
This is not unlike multiway merging used for tape sorting algoritms in the 50's! */
|
|
|
|
tracknum = 0;
|
|
if (!parseonly) {
|
|
do { /* while there are still track notes to process */
|
|
struct track_status *trk;
|
|
struct tonegen_status *tg;
|
|
int tgnum;
|
|
int count_tracks;
|
|
unsigned long delta_time, delta_msec;
|
|
|
|
/* Find the track with the earliest event time,
|
|
and output a delay command if time has advanced.
|
|
|
|
A potential improvement: If there are multiple tracks with the same time,
|
|
first do the ones with STOPNOTE as the next command, if any. That would
|
|
help avoid running out of tone generators. In practice, though, most MIDI
|
|
files do all the STOPNOTEs first anyway, so it won't have much effect.
|
|
*/
|
|
|
|
earliest_time = 0x7fffffff;
|
|
|
|
/* Usually we start with the track after the one we did last time (tracknum),
|
|
so that if we run out of tone generators, we have been fair to all the tracks.
|
|
The alternate "strategy1" says we always start with track 0, which means
|
|
that we favor early tracks over later ones when there aren't enough tone generators.
|
|
*/
|
|
|
|
count_tracks = num_tracks;
|
|
if (strategy1)
|
|
tracknum = num_tracks; /* beyond the end, so we start with track 0 */
|
|
do {
|
|
if (++tracknum >= num_tracks)
|
|
tracknum = 0;
|
|
trk = &track[tracknum];
|
|
if (trk->cmd != CMD_TRACKDONE && trk->time < earliest_time) {
|
|
earliest_time = trk->time;
|
|
earliest_tracknum = tracknum; } }
|
|
while (--count_tracks);
|
|
|
|
tracknum = earliest_tracknum; /* the track we picked */
|
|
trk = &track[tracknum];
|
|
if (loggen)
|
|
fprintf (logfile, "Earliest time is trk %d, time %ld\n", tracknum, earliest_time);
|
|
if (earliest_time < timenow)
|
|
midi_error ("INTERNAL: time went backwards", trk->trkptr);
|
|
|
|
/* If time has advanced, output a "delay" command */
|
|
|
|
delta_time = earliest_time - timenow;
|
|
if (delta_time) {
|
|
/* Convert ticks to milliseconds based on the current tempo */
|
|
delta_msec = ((unsigned long long) delta_time * tempo) / ticks_per_beat / 1000;
|
|
if (delta_msec) { // if time delay didn't round down to zero msec
|
|
gen_stopnotes(); /* first check if any tone generators have "stop note" commands pending */
|
|
if (loggen)
|
|
fprintf (logfile, "->Delay %ld msec (%ld ticks)\n", delta_msec, delta_time);
|
|
if (delta_msec > 0x7fff)
|
|
midi_error ("INTERNAL: time delta too big", trk->trkptr);
|
|
/* output a 15-bit delay in big-endian format */
|
|
if (binaryoutput) {
|
|
putc ((unsigned char) (delta_msec >> 8), outfile);
|
|
putc ((unsigned char) (delta_msec & 0xff), outfile);
|
|
outfile_bytecount += 2; }
|
|
else {
|
|
fprintf (outfile, "%ld,%ld, ", delta_msec >> 8, delta_msec & 0xff);
|
|
outfile_items (2); } } }
|
|
timenow = earliest_time;
|
|
|
|
/* If this track event is "set tempo", just change the global tempo.
|
|
That affects how we generate "delay" commands. */
|
|
|
|
if (trk->cmd == CMD_TEMPO) {
|
|
tempo = trk->tempo;
|
|
if (loggen)
|
|
fprintf (logfile, "Tempo changed to %ld usec/qnote\n", tempo);
|
|
find_note (tracknum); }
|
|
|
|
/* If this track event is "stop note", process it and all subsequent "stop notes" for this track
|
|
that are happening at the same time. Doing so frees up as many tone generators as possible. */
|
|
|
|
else if (trk->cmd == CMD_STOPNOTE)
|
|
do {
|
|
// stop a note
|
|
if (!percussion_ignore || trk->chan != PERCUSSION_TRACK) /* if we didn't ignore it as percussion */
|
|
for (tgnum = 0; tgnum < num_tonegens; ++tgnum) { /* find which generator is playing it */
|
|
tg = &tonegen[tgnum];
|
|
if (tg->playing && tg->track == tracknum && tg->note == trk->note) {
|
|
if (loggen)
|
|
fprintf (logfile,
|
|
"->Stop note %d, generator %d, track %d\n",
|
|
tg->note, tgnum, tracknum);
|
|
tg->stopnote_pending = true; /* must stop the current note if another doesn't start first */
|
|
tg->playing = false;
|
|
trk->tonegens[tgnum] = false; } }
|
|
find_note (tracknum); // use up the note
|
|
}
|
|
while (trk->cmd == CMD_STOPNOTE && trk->time == timenow);
|
|
|
|
/* If this track event is "start note", process only it.
|
|
Don't do more than one, so we allow other tracks their chance at grabbing tone generators. */
|
|
|
|
else if (trk->cmd == CMD_PLAYNOTE) {
|
|
if (!percussion_ignore || trk->chan != PERCUSSION_TRACK) { /* ignore percussion track notes if asked to */
|
|
bool foundgen = false;
|
|
/* maybe try to use the same tone generator that this track used last time */
|
|
if (strategy2) {
|
|
tg = &tonegen[trk->preferred_tonegen];
|
|
if (!tg->playing) {
|
|
tgnum = trk->preferred_tonegen;
|
|
foundgen = true; } }
|
|
/* if not, then try for a free tone generator that had been playing the same instrument we need */
|
|
if (!foundgen)
|
|
for (tgnum = 0; tgnum < num_tonegens; ++tgnum) {
|
|
tg = &tonegen[tgnum];
|
|
if (!tg->playing && tg->instrument == midi_chan_instrument[trk->chan]) {
|
|
foundgen = true;
|
|
break; } }
|
|
/* if not, then try for any free tone generator */
|
|
if (!foundgen)
|
|
for (tgnum = 0; tgnum < num_tonegens; ++tgnum) {
|
|
tg = &tonegen[tgnum];
|
|
if (!tg->playing) {
|
|
foundgen = true;
|
|
break; } }
|
|
if (foundgen) {
|
|
int shifted_note;
|
|
if (tgnum + 1 > num_tonegens_used)
|
|
num_tonegens_used = tgnum + 1;
|
|
tg->playing = true;
|
|
tg->track = tracknum;
|
|
tg->note = trk->note;
|
|
tg->stopnote_pending = false;
|
|
trk->tonegens[tgnum] = true;
|
|
trk->preferred_tonegen = tgnum;
|
|
++note_on_commands;
|
|
if (tg->instrument != midi_chan_instrument[trk->chan]) { /* new instrument for this generator */
|
|
tg->instrument = midi_chan_instrument[trk->chan];
|
|
++instrument_changes;
|
|
if (loggen)
|
|
fprintf (logfile,
|
|
"gen %d changed to instrument %d\n", tgnum, tg->instrument);
|
|
if (instrumentoutput) { /* output a "change instrument" command */
|
|
if (binaryoutput) {
|
|
putc (CMD_INSTRUMENT | tgnum, outfile);
|
|
putc (tg->instrument, outfile); }
|
|
else {
|
|
fprintf (outfile, "0x%02X,%d, ", CMD_INSTRUMENT | tgnum, tg->instrument);
|
|
outfile_items (2); } } }
|
|
if (loggen)
|
|
fprintf (logfile,
|
|
"->Start note %d, generator %d, instrument %d, track %d\n",
|
|
trk->note, tgnum, tg->instrument, tracknum);
|
|
if (percussion_translate && trk->chan == PERCUSSION_TRACK) { /* if requested, */
|
|
shifted_note = trk->note + 128; // shift percussion notes up to 128..255
|
|
}
|
|
else { /* shift notes as requested */
|
|
shifted_note = trk->note + keyshift;
|
|
if (shifted_note < 0)
|
|
shifted_note = 0;
|
|
if (shifted_note > 127)
|
|
shifted_note = 127; }
|
|
if (binaryoutput) {
|
|
putc (CMD_PLAYNOTE | tgnum, outfile);
|
|
putc (shifted_note, outfile);
|
|
outfile_bytecount += 2;
|
|
if (velocityoutput) {
|
|
putc (trk->velocity, outfile);
|
|
outfile_bytecount++; } }
|
|
else {
|
|
if (velocityoutput == 0) {
|
|
fprintf (outfile, "0x%02X,%d, ", CMD_PLAYNOTE | tgnum, shifted_note);
|
|
outfile_items (2); }
|
|
else {
|
|
fprintf (outfile, "0x%02X,%d,%d, ",
|
|
CMD_PLAYNOTE | tgnum, shifted_note, trk->velocity);
|
|
outfile_items (3); } } }
|
|
else {
|
|
if (loggen)
|
|
fprintf (logfile,
|
|
"----> No free generator, skipping note %d, track %d\n",
|
|
trk->note, tracknum);
|
|
++notes_skipped; } }
|
|
find_note (tracknum); // use up the note
|
|
}
|
|
|
|
} /* !parseonly do */
|
|
while (tracks_done < num_tracks);
|
|
|
|
// generate the end-of-score command and some commentary
|
|
gen_stopnotes(); /* flush out any pending "stop note" commands */
|
|
outfile_bytecount++;
|
|
if (binaryoutput)
|
|
putc (gen_restart ? CMD_RESTART : CMD_STOP, outfile);
|
|
else {
|
|
fprintf (outfile,
|
|
"0x%02x};\n// This score contains %ld bytes, and %d tone generator%s used.\n",
|
|
gen_restart ? CMD_RESTART : CMD_STOP, outfile_bytecount, num_tonegens_used,
|
|
num_tonegens_used == 1 ? " is" : "s are");
|
|
if (notes_skipped)
|
|
fprintf (outfile, "// %d notes had to be skipped.\n", notes_skipped); }
|
|
printf (" %s %d tone generators were used.\n",
|
|
num_tonegens_used < num_tonegens ? "Only" : "All", num_tonegens_used);
|
|
if (notes_skipped)
|
|
printf
|
|
(" %d notes were skipped because there weren't enough tone generators.\n",
|
|
notes_skipped);
|
|
printf (" %ld bytes of score data were generated.\n", outfile_bytecount);
|
|
if (loggen)
|
|
fprintf (logfile, "%d note-on commands, %d instrument changes.\n",
|
|
note_on_commands, instrument_changes);
|
|
if (do_header) { // rewrite the file header with the actual number of tone generators used
|
|
if (fseek (outfile, file_header_num_tgens_position, SEEK_SET) != 0)
|
|
fprintf (stderr, "Can't seek to number of tone generators in the header\n");
|
|
else {
|
|
if (binaryoutput)
|
|
putc (num_tonegens_used, outfile);
|
|
else
|
|
fprintf (outfile, "%2d", num_tonegens_used); } }
|
|
fclose (outfile); } /* if (!parseonly) */
|
|
|
|
if (loggen || logparse)
|
|
fclose (logfile);
|
|
printf (" Done.\n");
|
|
return 0; }
|
|
|